Designed by Inoda + Sveje, the Tangāli collection comprises a daybed, bench, coffee table, side table and a modular chair set. The collection developed over a period of nearly two years, from early 2018 to late 2019, and has a distinctive cane weave pattern as its signature design element.
The first time Inoda +Sveje came to the Phantom Hands workshop was in 2017. It was their first time in India.
They took their time to get a feel of our craftsmen’s process, a lot was unlike what they were used to. Instead of working on a carpentry table, for instance, they found our carpenters sitting, working on the floor. They discovered how this local technique allowed for much greater involvement of the body in the making process, lending to the finesse the craftsmen managed to achieve just with hand tools.
Kyoko and Nils took back all they had seen to their drawing boards. Among these was their newfound fascination with woven cane. When they returned to the Phantom Hands workshop the year after, they came armed with the intention of making cane the headliner, the ‘cherry’ atop their designs.
Being strenuous and time consuming cane weaving by hand is a dying craft. In Europe, where Kyoko and Nils are based, it has been replaced almost completely by machine weaving. Cane itself has largely been abandoned in favour of plastic. Instead of being woven onto furniture frames, typically, prefabricated webbing sheets are retrofitted.
To emphasize its distinction from such furniture, the Tangāli collection incorporates weaving techniques that can only be done by hand, such as the double woven borders around the wood.
Instead of being ‘tidied’ up like in a factory made product the furniture also has the weaving knots visible ‘The knots convey the story of the making of the chair’ says Nils. Plus they provide the furniture a tactile quality. ‘We may not realise it, but we all touch our furniture a lot’, he says ‘you will find that woven cane is quite pleasant to touch’.
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